Debra Darvick
enhance your now in word and imageBOOKSHELF
BEFORE NOW
Personal Madeleines
Had Proust seen the ad placed by Nagare Hamagowa, proprietor of the eponymous Restaurant of Lost Recipes, he would have hightailed it to the former’s diner faster than you can say madeleine. Nagare and his daughter Koishi are culinary sleuths. Imagine their restaurant as the novel’s appetizer. The main dish is their detective work, tracking down and recreating recipes for the clients wanting to savor again a treasured taste from the past.
Hishashi Kashiwai serves up a melange of culinary longings. A husband and wife arrive hungry for the Christmas cake served at their young son’s wake. A printer of business cards and CD jackets hires the pair to recreate the ramen noodles he and two bandmates downed each evening after rehearsals. An aging singer engages the food detectives to recreate her father’s tempura and simple sardine broth from her childhood. After Koishi transcribes the clients’ descriptions of the memorable dish, father Nagare sets out to find the person or persons who can lead him to the recipe.
I admit I skipped over a few of the author’s food descriptons: “fish glistening in their white turnip sheaths” and “eel skin served with pickled okra.” A Japanese foodie I am not. But I am a fan of The Restaurant of Lost Recipes. If I ever see an ad for its doppleganger in Michigan, I will hire Nagare and Koishi to recreate my grandmother’s noodle pudding recipe faster than you can say kugel.
I Thank You God
i thank You God for most this amazing
day: for the leaping greenly spirits of trees
and a blue true dream of sky; and for everything
which is natural which is infinite which is yes
(i who have died am alive again today,
and this is the sun’s birthday; this is the birth
day of life and of love and wings: and of the gay
great happening illimitably earth)
how should tasting touching hearing seeing
breathing any—lifted from the no
of all nothing—human merely being
doubt unimaginable You?
(now the ears of my ears awake and
now the eyes of my eyes are opened)
e. e. cummings
photo courtesy of Martin Darvick
A Memoir, a Mystery and a Marvel
I spent a lot of time reviewing offerings on the Bookshelf. Alas, once again, I forgot to hit save when reminded and lost it all. This will be briefer but I hope just as inviting.
The Memoir: Rabbi Angela Buchdahl’s Heart of a Stranger: An Unlikely Rabbi’s Story of Faith, Identity, and Belonging
Oh, for the day when a female, East-Asian American Reform Jew will not be viewed as an unlikely candidate for the rabbinate. And by the way, Rabbi Buchdahl was ordained as a cantor two years before her rabbinic ordination. She is the first Asian-American female to have become a rabbi and a cantor and the first to lead a major American congregation (New York City’s Central Synagogue, membership 7,000.)
Buchdahl knew when she was eight years old that she wanted to be a rabbi. She led her younger sister in bedtime prayers each evening, a tradition they carry on today when they are together. She recited the Kaddish over a dead bird her sister found in an alley and insisted on burying it properly. Some of Buchdahl’s fellow Jews did not make it easy. Born to a Korean Buddhist mother and a father who was an American Reform Jew, Buchdahl did not fit in any one box. This despite the fact that her father was a fourth-generation Reform Jew whose forefathers emigrated to Tacoma, Washington from Eastern Europe, founding the Jewish community in which Buchdahl was raised. Through it all, she held fast to her dream of becoming a rabbi. Thousands of Jews and I’d wager some non-Jews, too, are the beneficiaries.
So, the book. What makes it so rich is the way the author traces her own spiritual and religious path, and teaches us along the way. Each chapter closes with a teaching from the breadth of Jewish learning, tradition and prayer. I know, have studied with, and been led in prayer by many rabbis. Rabbi Buchdahl’s memoir gives the reader a front row journey to her pulpit. Let Rabbi Buchdahl’s Heart of a Stranger be the next book you read. You’ll offer up your own prayer of thanks that you did.
The Mystery: Louise Penny’s The Black Wolf
Louise Penny fans will not be disappointed by her latest novel. The Black Wolf is riveting, dark, prescient and as terrific as any of her previous novels in the Inspector Gamache series. Those of you unfamiliar with Penny, I envy you the hours of fabulous reading time awaiting you. The novels in the series go way beyond the whodunit, way beyond mystery. Rich in character development across the years, a setting that calls to the heart of every reader, gripping plot and terrific dialogue, Louise Penny does not dissapoint. Except of course if you’ve read every novel in the series and have to wait another year.
The Marvel: The Winter Bird, writtn by Kate Banks, illusrated by Suzie Mason.
Readers familar with the Bookshelf know that I adore children’s books and hold their authors and illsutrators in high esteem. During a recent photography trip to the Detroit Public Library I headed to the Children’s Section first. Kind of how some folks visit a museum’s gift shop before the galleries or eat dessert before the entree.
The Winter Bird is fun, sweet, and nourishing. A broken-winged nightingale cannot fly south for the winter. The animals of the forest help her survive, teaching her how to acclimate to the cold and where to find the best berries. Bunnies pull fur from their bodies to keep her warm. Come spring, the nightingale sings a song of gratitude for the new season and the friends who helped sustain her throughout the winter.
Climb into a Book!
Oh boy howdy would I love to have this bookcase somewhere in my house! Wouldn’t you?
An Impromptu Pairing
My reading goes through phases. Novels give way to philosophy and metaphysics which lead to books about health and then perhaps a historical novel or two with a detour into biography.
Recently I read two wonderful memoirs back to back and cover to cover. Once I finished them I realized a common thread. Both were written by women of color who came from strong and fiercely loving families. Both prevailed over bigotry and prejudice, forging thier own paths to remarkable lives.
It wasn’t until I read Condoleeza Rice’s memoir, Extraordinary, Ordinary People, a Memoir of Family, that I learned she had grown up in Birmingham, Alabama. Two years her junior, I realized that when I was visiting my Birmingham grandparents, she was also there.. Her loving triad of father-mother-daughter echoed that of the bond between my grandparents and me. My grandfather was fighting the Klan at the very time the white-hooded murderers set off bombs in Rice’s neighborhood. She never learned to swim because in 1961 Birmingham’s mayor, Art Hanes, and the city’s police commissioner, Eugene “Bull” Connor, shut down every city park rather than obey a federal court decision that Birmingham’s racially segregated parks, golf courses, and playgrounds were unconstitutional. Connor was ousted two years later via a referendum calling for the adoption of the mayor-council form of government. My grandfather together with other attorneys and civil rights activists led the action.
That’s pretty much where our (invisible) connection diverged. I grew up to be me and she grew up to become an expert in Soviet and Eastern European affairs, playing a leading role in U.S. policy as the Iron Curtain fell and the U.S.S.R. crumbled along with it. Accomplished pianist, the nation’s Security Advisor under President George Bush, the first black woman to hold the office of Secretary of State, and currently a professor at Stamford and a Senior Fellow at the Hoover Institute, Condoleeza Rice is a force. I’ve wished more than once that she would have run for President.
I chose her memoir out of the many biographies written about her because I was drawn to her title: Extraordinary, Ordinary People a memoir of family. I was less interested in how she built her CV than in how her parents built the kind of family that enabled her to succeed to such heights. Rice writes with such love and gratitude for her upbringing. Her candor about the ugliness and violence of the segregation that gripped Birmingham gives way to poignant descriptions of her mother’s battle with cancer, her father’s mid-career crises and the roadblocks she faced in community organizing on behalf of underserved children. Education, valuing the strength of family, and faith in God used to be the ordinary ingredients that, while they couldn’t guarantee a good life, at least pointed one in that direction. I would love to meet Ms. Rice and talk about life.
* * *
Noodling around various book sites I came across a review of Marra B. Gadd’s memoir The Color of Love and ordered it straightaway from our library. Gadd was three-days-old when a white Jewish couple from Chicago adopted her. Fearful that no Jewish couple would adopt her mixed race-infant, Marra’s birth mother negleted to inform her adoption agency that the father of her child was black. The agency’s suggestion that their clients didn’t have to go through with the adoptoin was immediately and emphatically rejected. Marra was their daughter. What they saw when they looked at her was what all newly-smitten parents see: beauty, wonder at the miracle before them, dreams coming alive in the offing.
What they couldn’t imagine was how their relatives and others would view their daughter: a “mixed-raced Jewish unicorn.” Within days of her adoption the author writes that the reactions of her father’s family’s were so callous and offensive that the break was immediate and irrevocable. Family and friends were informed that, “(Marra] was simply their daughter, and that if that wasn’t good enough, they didn’t need to come to the house again.” The author poignantly shares that the family’s circle of true friends and family became small indeed.
Her relationship with her great aunt Nette, her mother’s favorite aunt, caused Marra the most heartache and ultimately became a great source of healing as well. Nette was dramatic, jewelry smitten, perfectly coiffed and dressed. She “…liked getting married so much that she did it five times.” Nette, who “sparkled like the diamonds that adorned almost all of her fingers” also played favorites, each year sending for Gad’s sister Ilyse (born to their parents within a year after Marra’s birth), treating her to shopping trips and gifts from her sizable jewelry collection. For Marra, she had nothing but a double-strand length of excuses. “It’s a strange thing to want so badly to be close to someone who does not want to be close to you but who is working very hard to keep that hidden. But that was the dynamic set between Nette and me from the moment we met.” That dyanmic was tolerated until the day of Ilyse’s wedding when Nette leveled a comment at her great-niece that resulted in a fifteen-year estrangement.
Never, not once in her memoir, did the author respond to her tormentors how you might think. Surely she deserved to level a comment or two of her own. But this is what makes The Color of Love so beautiful and expemplary. Gad learned early and often that responding with love is the better, and most self-preserving, choice when others’ ugliness came her way. Her parents modeled it and she took the lesson to heart in the most evolved way possible.
Fate is nothing if not a trickster. When Nette was ultimately diagnosed with Alzheimer’s, Gad was the only one in the family capable of caring for her aunt, visiting her in tandem with monthly business trips to L.A., and utimately bringing her home to Chicago to a wonderful facility close to the family. The passages in this part of Gad’s memoir are the most touching, the most healing for the author and by osmosis for her readers. I’ll leave it at that other than to say in this case Alzheimer’s opened the door to an entirely new relationship with Nette. And for me to say that reading Marra B. Gad’s memoir was a beautiful, beautiful experience.
Moon-Eating Crocs!
As I left minyan (prayer service) yesterday evening I looked up to find the moon and there it was about to be devoured by some pre-historic tree-o-saur. It made me laugh. Nature is ready to delight us at every turn! My grandmother used to tell me that when I was a child I called this stage of lunar waxing a “piece of moon.”
The image reminded me of a poem I used to read the kids:
The Moon’s the North Wind’s Cooky by Vachel Lindsay
The Moon’s the North Wind’s cooky.
He bites it, day by day,
Until there’s but a rim of scraps
That crumble all away.
The South Wind is a baker.
He kneads clouds in his den,
And bakes a crisp new moon that . . . greedy
North . . . Wind . . . eats . . . again!