Debra Darvick
enhance your now in word and imageVISUALS
BEFORE NOW
Wide Open Spaces
Now I know why
cowboys love the morning.
As azure heavens drop to earth,
winds whip across the prairie
brisk as aftershave.
Fields so wide they hold
every risk a day could bring:
stubborn steer
and
wayward
calves,
muscles pulled and sometimes,
come spring,
a colt or two battles the birth sac
before dropping to earth beneath
the same azure heavens
that greet its callous-handed doula
each
beloved
morning.
Photo and poem by Debra B. Darvick
Supermoon
Supermoon over the Hudson River.
Thank you, sweetheart.
photo by Emma Darvick
Che belli i giardini
Martin and I spent 12 days on the Amalfi coast this past spring. If ever there were heaven on earth…. This is just one of the many shots I took. If you would like to share in a bit of the sights we enjoyed – Sorrento, Amalfi, Pompeii, Herculaneum, Ravello, Capri, Naples – I can send you a link to the albums Martin is preparing. He’s the pro and you will swoon at the images he captured.
Three Guesses
Each month, Martin’s photography club assigns a new challenge. This month they were to take a walk around town and capture abstraction in the mundane.
I’ve said it before and I’ll say it here again, I love to see the world through Martin’s eyes. This one (have you guessed it yet?) took my breath for a moment or two and then again when I figured out what he had photographed. Don’t stop, Martin. Don’t ever stop showing us the world as you see it.
photo credit: Martin Darvick
On Golden Pond
I’ve said it before and I’ll say it again, it’s a gift to be able to see the world through Martin’s eyes.
photo: courtesy of Martin Darvick
Line by Line
Many of you know how dearly I’ve wanted to learn how to draw and explore creating visual art. This March will make 9 years since I began making good on a pledge to myself. I would chase away the ghosts, silence the inner voices saying I had no business picking up a paintbrush or a drawing pencil.
The Birmingham-Bloomfield Art Center has become the place for fulfilling that pledge. I’ve taken classes there on and off for years: pottery classes (wheel and handbuilding); a pleasant watercolor workshop; a disastrous drawing class that was way over my head; two fabulous out-of-the-box mixed-media classes. About three years ago I fell into a rhythm and began learning from a marvelous palette of teachers. They have guided me with patience, compassion and a drop or three of firmness until finally, I am beginning to see with an artist’s eye.
For the past week, I have kept this page on my desk. It was our final assignment in Drawing 2. I struggled mightily, redrawing lines, erasing, repositioning shadows. Our teacher offered a steady stream of encouragement and precise suggestions for improving our work. I measured and remeasured, asked my eyes again and again, What are you actually seeing?
Bit by bit, the woman in the photo became real. She has dimension. She expresses a mood. I still can’t totally believe that I actually drew this. But I did. Of course there are improvements to be made, refinements to be learned. I’ll get there. I’m keeping her on my desk a while longer. The ghosts have been silenced. Instead, I look at her and hear her invite me to pick up my pencil again and again and once again.